Original works · Selected pieces · Personal inquiry
Living Lineage Atelier offers original Tibetan thangkas created through traditional methods, lineage training, and disciplined studio practice.
Select fine art prints may also be available by request, including hand-finished pieces with gold detailing.
Works are available by personal inquiry, with details provided according to the painting, size, finish, and current availability.
Current collection
15 selected works shown · 14 available for inquiry
Available for inquiry
Buddha Shakyamuni is shown seated before the traditional Six-Ornament Throne. The throne frame includes symbolic beings such as the garuda, nagas, makaras, kumaras, sharabhas, lions, and elephants, each carrying layered meaning within Buddhist visual tradition. The composition brings together devotional presence, architectural symbolism, and precise traditional detail.
Available for inquiry
Dzambhala is depicted seated in royal ease, holding a bijapuraka fruit in his right hand and a mongoose from which jewels pour forth in his left. In Tibetan Buddhism, Dzambhala is associated with prosperity, generosity, and supportive conditions for Dharma practice. The work follows established iconographic conventions while presenting the deity with clarity and strength.
Available for inquiry
Khenlob Chosum represents the three founding figures traditionally associated with the establishment of Buddhism in Tibet: Khenchen Shantarakshita, Guru Padmasambhava, and Dharma King Trisong Detsen. The composition brings together monastic discipline, tantric transmission, and royal patronage within a carefully structured lineage image.
Available for inquiry
Four-Armed Chenrezig, the bodhisattva of compassion, is one of the most beloved figures in Tibetan Buddhism. His white body represents purity, while his joined hands hold a wish-fulfilling jewel at the heart. His outer hands hold a crystal rosary and a white lotus, symbols of continuous prayer and compassionate activity. The work presents Chenrezig with calmness, balance, and devotional refinement.
Available for inquiry
Mar-Mi-Dag Sum brings together three foundational masters of the Kagyu lineage: Marpa Lotsawa, Milarepa, and Dagpo Lharje Gampopa. The composition presents this lineage grouping with traditional structure, careful iconographic placement, and refined detail.
Available for inquiry
Kālacakra, the Wheel of Time, is a central deity of one of the most complex tantric systems in Tibetan Buddhism. Shown in union with his consort Vishvamata, Kālacakra represents the relationship between outer cosmology, inner experience, and the path of transformation. The deity’s multiple faces and twenty-four arms carry symbolic implements connected to the Kālacakra system. The work reflects the precision and complexity required for this advanced iconography.
Available for inquiry
Uṣṇīṣavijayā, also known as Namgyalma, is one of the Three Long-Life Deities alongside White Tara and Amitayus. Her white form has three faces and eight arms, holding ritual implements traditionally associated with longevity and purification. The work presents a refined and carefully structured image of this important Buddhist deity.
Available for inquiry
This contemporary edition of Four-Armed Chenrezig preserves the deity’s traditional iconography with a brighter visual presentation. Chenrezig is shown with a white complexion, joined hands holding a wish-fulfilling jewel, and outer hands holding a rosary and lotus. The painting is mounted in a vibrant silk brocade frame, giving the work a contemporary presentation while remaining rooted in traditional form.
Available for inquiry
Lion’s Roar Avalokiteśvara is a specialized form of the bodhisattva of compassion, traditionally associated with healing and protection. He is shown seated in royal ease upon a white lion, wearing a tiger-skin garment. A skull cup and serpent-wrapped trident appear among the distinctive attributes of this form.
Available for inquiry
Kurukullā is the red dakini associated with magnetizing activity. She dances upon a human form, symbolizing the transformation of desire and attachment. Her four arms hold a bow and arrow made of red lotuses, along with a lotus hook and noose. The composition presents Kurukullā with vivid color, movement, and precise iconographic structure.
Available for inquiry
Vajrayoginī is one of the most important female tantric deities in Tibetan Buddhism. Shown in a dynamic dancing posture, she holds a kartika, or flaying knife, in her right hand and a kapala, or skull cup, in her left. A khatvanga staff rests against her shoulder, symbolizing inseparable method and wisdom. The work emphasizes clarity, intensity, and the disciplined structure of Vajrayoginī’s iconography.
Available for inquiry
A smaller completed Four-Armed Chenrezig thangka, suitable for a more intimate devotional space.
Available for inquiry
Vajrasattva is a central Buddhist deity associated with purification practice. He is shown seated in vajra posture on a lotus seat, with a white complexion symbolizing purity. His right hand holds a vajra at the heart, while his left hand holds a ritual bell at the hip, representing method and wisdom. The work presents Vajrasattva with simplicity, balance, and devotional clarity.
Hold / not actively for sale
The Gelug Tsogshing, or Assembly Field of Merit, is a complex refuge composition of the Gelug school of Tibetan Buddhism. At the center is Lama Tsongkhapa, visualized with Buddha Shakyamuni at his heart, seated within a vast lotus tree rising from a celestial lake.
Surrounding the central figure are lineage masters, yidam deities, Buddhas, bodhisattvas, shravakas, pratyekabuddhas, dakas, dakinis, and dharma protectors arranged in structured tiers. The composition requires extensive planning, fine brushwork, and careful iconographic discipline. Each small figure is painted with attention to individual form and placement, making this work a significant example of traditional thangka complexity.
Available for inquiry
Nädjom Drolma Karpo is a specialized white form of Tara represented with the active posture associated with Green Tara. The figure is shown with two serene eyes and the right leg extended in lalitasana, presenting a distinctive variation within Vajrayana iconography.
Artwork inquiries
For information about an available work or fine art print, please contact us directly. We can provide details about the subject, size, materials, condition, price, and shipping possibilities.
Availability and pricing are confirmed directly before purchase.
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Living Lineage Atelier may consider private requests when they are aligned with the atelier’s schedule, capacity, and traditional practice.
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